Take Two Jazz: WILLIAM BARES and RICHARD SHULMAN Appearing Mon April 4th 2016 at 7:30pm

Tickets:
$12




Keyboardist and composer Richard Shulman creates music intended to be a positive influence for himself, audiences and society.

Richard has recorded 23 of his own albums as well as more than two dozen other recordings for which he has provided compositions, performances and/or musical production. Trained in the classical and jazz fields, he has developed a heartfelt language in these genres while focussing a significant amount of his output on music for meditation, healing and inspiration. He currently divides his concert schedule between performances of his meditation music and his original jazz as personified by the Richard Shulman Trio.

Shulman has performed at the Weill Recital Hall at Carnegie Hall, Art Park, the United Nations, the Kool Jazz Festival, The Amenia Peace Festival and a wide variety of other venues throughout North America and in Europe.

As a composer, Shulman has created over sixty five pieces for jazz quartet as well as songs and pieces for chamber ensembles, choir, and symphony orchestra. In 1986 and 1987 he composed music for orchestra and jazz quartet during residencies at the Virginia Center for the Creative Arts. From 1986 through 1995, Shulman was the principal composer for “Theatre of the Heart,” a cooperative of dancers, singers, and musicians dedicated to fostering community and the environment. Commissions include a piece for the Amherst Saxophone Quartet, and “May Peace Prevail on Earth” for singers, symphony orchestra, three choirs, and jazz quartet, created for the World Peace Prayer Society. In addition, he has created hundreds of ‘Musical Soul Portrait‘recordings for individuals, couples, and groups.


William Bares completed his PhD in ethnomusicology in 2009 at Harvard University under the mentorship of Ingrid Monson, Harvard’s Quincy Jones Professor of African American Music. He is currently teaching jazz harmony and improvisation at Harvard and working on a book entitledEternal Triangle: American Jazz in European Postmodern. His scholarly career has been devoted to refining a framework for the study of historical and contemporary transatlantic jazz. This website is a reflection of his evolving interdisciplinary and international perspective.

He is also a bandleader and multi-instrumentalist (piano, trumpet, drums, guitar, ukulele) who has played professionally for many years. Much of his performing has taken place overseas, where he has shared stages with some of the biggest young stars of the European jazz scene. He continues to maintain strong musical connections to Berlin and Oslo, where he did extensive fieldwork; Omaha, his hometown; Miami, where pursued his Master’s degree from 1996-1999; Boston, where he also directed Harvard’s graduate school big band for several years; and New York, his current residence.

As a scholar, and in dialogue with the Harvard Group for New Music (HGNM), Bares continues to probe the boundaries between composition and improvisation. Inspired equally by jazz, minimalism, and African akadinda and balafon music, he has explored ways to integrate shifting improvised right and left-hand ostinatos into his solo and group playing. This technique can be heard in his live recording Evanescent, which was featured in an hour-long program entitled “New Music at Harvard” on German public radio (Deutschlandfunk).


ABOUT THE TAKE TWO JAZZ SERIES:
From Dr Bill Bares:
First of all, I love the sound and feel of their piano.
Second, I felt that a series that puts WNC's A-list jazz musicians out front, alone, with just piano accompaniment, would spotlight their individual artistry in a valuable way. We plan on recording performances and releasing them as a series patterned after Concord's "Live at Maybeck" piano series.

Last, I thought that holding such a series on a Monday at 7:30 would make it noncompetitive with other jazz offerings in the area. That time slot sends the message: "it's all about the music," which I am confident you will find phenomenal. For the roster I have selected area musicians (one different instrument each month) with substantial fan base, individuality and with whom I have a good rapport. I am looking forward to widening this circle in subsequent years.


Past Participants Include:
Andy Page (guitar)
Billy Cardine (dobro)
Brian Felix  (piano)
Brian Felix (keyboards)
Hong Waltzer (guzheng) + Greg Waltzer (electronics)
Jacob Rodriguez (saxaphone)
Jason DeCristofaro (vibraphone)
Jonathan Scales (steel drums)
Justin Ray (trumpet)
Lyndsay Pruett (violin)
Matthew Richmond (vibraphone)
Michael Holstein (bass)
Michael Jefry Stevens (piano)
Michael Libramento (guitar, bass, percussion)
Michael W. Davis ( percussion)
Patrick Lopez (trumpet)
Richard Shulman (piano)
Rick Simerly (trombone)
Rockell Scott (vocals)
Russ Wilson (vocals)
Serpentine Arborvitae (vocals)

Zack Page (bass)